Extended Sound Samples
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Johann Jakob Froberger: Lament on the death of Ferdinand III (5' 04, 7Mb) François Couperin: Prelude from Concerts Royaux (1' 53, 2.6 Mb) François Couperin: Sarabande from Concerts Royaux (2' 08, 2.9 Mb) Elizabeth Jacquet de la Guerre: Chaconne (1709) (4' 39, 6.4 Mb) Unfortunately the levels of the take that was finally chosen for the purposes of the competition are abnormally high with the result that the instrument sounds unnaturally boomy (although on most takes there is no recording distortion, per se) and the room noise is excessive. One of the conditions of the Dorian competition was that all submissions had to be whole takes. Since editing was out, the engineer kept moving the microphones around between takes, searching for that special place. We have compiled the final bars of six of the several takes into one file (2' 32, 3.5 Mb). The difference in sound between placements is quite instructive (see the waveform of the file). If you've listened to harpsichord recordings produced by twelve different engineers, you have probably been exposed to all six of these different placements. Louis Couperin: Prelude in g-minor (3' 41, 5.1 Mb) Girolamo Frescobaldi: Variations on the Romanesca (3' 04, 4.4Mb) Francesco Barsanti: Thro' the wood Laddie (0' 52, 1.2Mb) Jean-Philippe Rameau: Menuets from Nouvelles Suites (2' 53, 4Mb)
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