Hendrik Broekman, harpsichord

 

1) Antonio de Cabezon (1510 – 1566); Tiento del Primer Tono – 4' 55”   (Spinet)

 

2) Peter Philips (1561 – 1628); Pavan (1580) – 3' 00” (Muselar)

 

3) John Dowland (1563 – 1626); set by ? Galliard: Can She Excuse – 1' 42” (Spinet)

 

4) Orlando Gibbons (1583 – 1625); The Italian Ground – 2' 07” (Spinet)

 

5) Heinrich Scheidemann (c. 1596 – 1663); Englische Mascarata – 3' 43” (Spinet, variation with ottavino)

 

Dietrich Buxtehude (c. 1637 – 1707); Suite in C major

6) Allemande – 2' 23”

7) Courante – 1' 31”

8) Sarabande – 1' 48”

9) Gigue – 1' 45”

(Muselar – Courante & Gigue with ottavino)

 

Henry Purcell   (1659 – 1695); Selected pieces

10) Song tune – 0' 46 (Muselar)

11) Prelude in D maj – 0' 42” (Spinet)

12) A New Scotch Tune – 1' 15” (Muselar)

13) Song tune – O' 34” (Spinet)

14) March – 1' 02” (Muselar with arpichordum)

 

Johann Sebastian Bach (1685 – 1750); Preludes for W. Fr. Bach

15) Prelude in C BWV 924 – 1' 21” (Muselar)

 

16) Prelude in D BWV 925 – 1' 01” (Spinet)

 

17) Prelude in F BWV 927 – 0' 44” (Muselar)

 

18) Dietrich Buxtehude; Suite in C major, Gigue – 1' 40” (Muselar alone)

 

Recorded in analog stereo in 1980 in the music room of the Hubbard shop at the Lyman St carriage house.